I have a method. It's almost like having a budget. Sometimes you stray from your budget, but without one you would constantly be straying. Think of a post-processing methodology in the same way.
Let's use this photo as an example. It is decidedly not one of my best images. I was drizzling rain, foggy, and cold. But we were determined to see the sights of coastal Oregon on this day and we went out to take some photos.
So here it is...Let's see what we can do with it.
White Balance - I first look at white balance to see if what I shot looks right for the scene. The eyedropper tool is a great place to start. If the color temperature does not look right, simply hover over a white or gray area of the scene to see if the color temperature needs to be changed. If so, click on it to adjust. Though this is not a practical part of your workflow, it is not a bad idea to slide the color temperature slider from one extreme to the other to see the effect of color temperature on your image. Again, not part of workflow, but a good exercise in seeing the extremes of color temperature. Once you see these extremes in your image you are more likely to recognize them in future images. Based on the color of her jacket and hat, I think the white balance on this one is correct as shot.
Exposure - Next I will look at exposure and tweak this where needed. Thanks to the Manual DSLR Project I typically nail the exposure I am looking for, although the image may be purposefully under- or over-exposed. If adjustments are needed, however, they may be made here. More times than not I will add a bit of fill light to bring out detail in a properly exposed image. In this case, we will leave the exposure as shot.
Sharpening - I have made it a habit to NOT apply sharpening at this step. Rather, I use sharpening presets when I export. I learned the hard way that if you sharpen a little here and sharpen a little on export you can get some really cruddy looking images. For that reason, I make it a point to turn down the sharpening here, which I have done for this image.
Composition/Layout - Next I look at the composition and layout. Do I need to straighten the scene or crop? If so, this is when I do this. I should note that I rarely crop in this step except to straighten or to remove a distracting element. I usually wait until I upload into my ROES program to send them to my printer. On this image, I will do neither.
Noise Reduction or Grain - Here I may choose to add noise reduction or grain to the image, depending on the image and its future use. I have done neither to this image.
Creative Tweaking - We are almost at the last step in the process. This is where I add any creative effects to the photo. Here is a short list of (many) possibilities:
- Develop Presets (my favorite)
- Saturation or Color Tools
- Vignettes
- Spot removal
- Graduated Filter Application
Again, not one of my favorites, but it's a decent photo to portray what we were doing on this rainy day in Oregon.
To recap, here is my post-processing workflow:
- White Balance
- Exposure
- Sharpening
- Composition/Layout
- Noise Reduction/Grain
- Creative Tweaking
From the Great White North (Alabama)... MK
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